Roosevelt Stewart Memory Live Album: Debut Solo Worship Collection October 2026

Fourteen songs, one live room, and a singer stepping out from behind other people's spotlights to take his own. On October 9, 2026, worship leader Roosevelt Stewart released Memory (Live), his debut full-length solo album — and the first thing you notice is that it was recorded the way worship actually happens, live, with a congregation breathing in the room.

Stewart is a gospel artist, songwriter, producer and worship leader who has built his ministry through collaborations with respected voices in contemporary worship. Memory (Live) brings his own artistry to the forefront, capturing the energy of a worship gathering and the heart of a musician whose work is centred on Jesus. The album explores the faithfulness of God, the power of redemption, and the importance of remembering what God has done.

The title track carries the album's whole idea in one line: even in seasons of uncertainty or loss, memories of God's faithfulness give us reasons to keep praising Him.

That is not a slogan for Stewart. It is the thread running through every track, from the opening "Redeemed (Live)" to the closing "Waves (Live)."

Roosevelt Stewart Memory Live Track List: Naomi Raine, Anna Golden and Todd Galberth

The 14-track collection features worship leaders Naomi Raine, Anna Golden and Todd Galberth, alongside Brooke Tyler. Raine appears twice, on "What A God (featuring Naomi Raine) (Live)" and the spontaneous "Never Be Another (featuring Naomi Raine) (Spontaneous) (Live)."

Golden joins Stewart on "Heaven Collide (Live)," Galberth on "Make It Good (Live)," and Tyler on "Loved Me Back To Life (Live)." Each guest brings a different colour to the record, yet the album never feels crowded — it feels like one room, one night, and several voices agreeing on the same truth.

Some of the songs have already found their own life beyond the album. The offical live performance video for "I Know Too Much" carries a lyric that explains why the record resonates:

How dare I doubt about His goodness? I've seen Him move when doctors couldn't. Praise is on my mind every time. The righteous are never forsaken.

That is the sound of a man singing from memory, not from theory. "I Know Too Much" argues that once you have seen God move, doubt loses its footing — a claim Stewart repeats like a chorus because it is the album's argument in miniature. The same honesty runs through "Covered Me (Live)," where Stewart sings of panic turned to peace and shame turned to glory.

My mind should be lost by now. All the things that torment me. All of the panic turned to peace somehow. My testimony is how he covered me.

Other tracks widen the lens. "Jesus Forever (Live)" lifts a straight declaration — only one is worthy of the throne, only one has overwhelmed the grave.

"Something To Believe In (Live)" answers with personal proof:

My God, You do what You say You'll do. You keep Your promises. I am proof.

Together, the songs move between private memory and public praise, which is exactly where live worship lives, and where a debut album either earns its place or does not.

Roosevelt Stewart Debut Solo Album: Memory, Redemption and Worship

Stewart's step into a solo spotlight comes at a full moment for worship music, alongside releases like Shekinah Grace Moyes' new versions of her gospel hits, Jamie MacDonald's deluxe album, Josh Baldwin's Worth Everything album, and Curt Brickley's The Father's Hand. But Memory (Live) is distinct in one way: it is a debut that sounds like a homecoming, a first solo record built from years of standing beside other worship leaders and learning how a room sings.

Stewart is also part of this fall's Air1 Worship Now Tour, which brings an evening of worship to 21 cities with Tauren Wells, Seph Schlueter, Gateway Worship, Sarai Rivera and Stewart himself. For listeners who meet him first on the record, the tour is the other half of the story: the same songs, the same live energy, in a room full of strangers singing like family.

Listeners meeting Stewart for the first time through this record will find a singer who does not rush the moment, and a room that seems in no hurry to leave it. The album rewards that patience, track after track, as each live moment builds on the memory of the one before it and the congregation answers back.

But the most surprising part of this story is yet to come — keep reading.